Steep yourself in the atmosphere of some of most revered Hindu temples in India.

'Ranbir helped me a lot with emotions and dialogues. As an actor, he makes us very secure.' 'He guides us with his experiences. He makes the work really, really easy and wonderful for his co-stars.'

The depiction of screechy jingoism within India-Pakistan dynamic is still a wet dream for Bollywood film-makers, observes Mayur Sanap.

Guntu Kaaram doesn't deliver on its basic promise: Entertainment, sighs Mayur Sanap.

With clean blue waters and golden-white sands, these super beaches have a magic that is hard to keep away from.

India offers travel adventures no other country can offer.

You won't be able to stop at one serving.

Safed is a lame attempt at social commentary, with terribly dull and thoughtless direction, observes Mayur Sanap.

'Any flight I take, the crew write personal notes to me, saying how good I was as Soudamini or Seema or Bulbul.'

'Suvinder Vicky in Kohrra. Manoj Bajpayee in Joram. Mohammed Zeeshan Ayyub in Joram and Scoop. Gagan Dev Riar in Scam 2003. Sukant Goel in Kaala Paani.' 'The number of awards will not be enough for the kind of work that has happened this year.'

The play-off between Prabhas and Prithviraj is the high-octane fuel that lends Salaar momentum, observes Mayur Sanap.

Dunki doesn't have any repeat value unlike other Hirani films. And that perhaps is saying a lot, notes Mayur Sanap.

Merry Christmas brims with Sriram Raghavan's signature style and ample cheeky look-what-I-did-there moments.

'Rapists do have families. I wanted to see how a father or mother would deal with it.' 'They go through shame as well and get discriminated from the rest of the village.' 'Why don't we show it that way?'

'When I was rejected last year, I told myself I won't give up.'

'In Bangladesh, I have played so many dynamic characters, be it a freedom fighter, a circus trapeze artist, sex worker, and many more.'

'I only challenge myself in every way possible and feel that an actor's job is to be universal.'

With this film, Siddharth Anand seems to have cooked up another hit recipe that blends blockbuster film-making with star hysteria, observes Mayur Sanap.

Mast Mein Rehne Ka is a thoroughly human film, which makes you laugh as hard as it will make you feel for the characters, notes Mayur Sanap.

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